quilt – Page 3 – Crosspatch

The oldest Patchwork Quilt in England

the quilt is made of fabrics contemporary with that time. They are imported Indian cottons hand printed with exotic designs of birds and flowers in reds and greens which would have been incredibly expensive at the time.

We all as tourists may travel many miles and even cross continents to see the wonders of the world, but are less willing to be impressed by what we can find at home. This summer my Dearest and I, being unable to afford a foreign holiday, or indeed the fuel to take us very far, decided to explore what we had at home, or nearest to it. The plan was to improve our knowledge of what is on our very doorstep which can be enjoyed for free or near as, any time we like.

Levens Hall built around a 13th Century Pele tower

One day we went to Levens Hall just south of Kendal and probably only 15 miles from our front door. The house is mainly Tudor but dates back to 13th Century in parts, and was extended in the 16th Century. Inside the house is the OLDEST Patchwork Quilt in England dated to 1708. There is no date on the quilt or the bed hangings but the family claim it was made by the lady of the house and her step daughters in that year, the quilt is made of fabrics contemporary with that time. They are imported Indian cottons hand printed with exotic designs of birds and flowers in reds and greens which would have been incredibly expensive at the time.

I like to think of those wealthy but thrifty ladies making a Patchwork quilt to make best use of the scraps and left over fabric from the elaborate gowns made for them or by themselves in the fashion of the day. The fabrics are cut and pieced simply to show off the pattern, set in plain sashing and quilted quite closely with a simple grid of squares set on point in red thread. Each row of blocks alternates between a snowball block and a simple cross shape, a smaller lozenge shape fits between each cross , working diagonally across the quilt in both directions and each shape is set into a plain background fabric.

It was not possible to take my own picture of the quilt or the matching bed hangings which are displayed in a bedroom in low light, so I bought a post card, which gives a fairly detailed view, sadly although I could scan the post card I cannot publish an image of the quilt without permission of the owners.

The quilt is not Levens’ only claim to fame; it also has the most sublime Gardens designed for the house in 1694. The topiary gardens are the oldest surviving and the best in the world. I only wish we had arrived earlier and had time to give the garden its fair share of attention. We have agreed we need to go back another time, but when? Spring perhaps, or in June when the roses are at their best.

The café is open to the public, without having to pay to go into the house and gardens, the shop also is open to the general public so perhaps another day when we are passing, we can stop for a coffee and a browse, some Christmas shopping or whatever.

Another unusual feature is a smokehouse in the farthest corner of the garden, not for the smoking of food, but a place of banishment for those members of the early 17th Century household who had taken up the filthy habit of tobacco!

recently renovated 17th Century smoker's retreat — recently renovated 17th Century smoker’s retreat

There is a walk I’d like to do from the house, into the Park on the other side of the A6, up the old avenue of trees which would have been the original approach to the house, I believe there is a waterfall and a picturesque bridge to be seen. It sounds like a perfect walk for an autumn day, and if we go on a day when the café is open we can plan tea and stickies as a reward at the end of the walk. That sounds like a plan.

The Button Jar

as a button jar mine was hardly a thing of beauty

So, having cut up all my charity shop shirts I have a satisfactory pile of checked fabrics which make the beginnings of a potential new plaid quilt. I think I need some more greens and also some more deep saturated colours. I’m going to keep collecting till I have a mix I like, and then start cutting.

One secondary benefit of all those shirts is a healthy supply of shirt buttons to add to my button jar. Pictured are my shirt buttons and a selection of buttons which were orphaned and hanging about the house in drawers and on surfaces waiting to be re-homed.

Being a practical person, when I come home from a shopping trip with a new garment I always cut off the little plastic bag with the spare buttons in and put them carefully aside in case I ever lose a button… but I’m also a great believer of that old adage “a stitch in time saves nine” or in this case “a stitch in time saves having to replace a button” so if I see a loose button I re-stitch it, consequently I rarely lose my buttons. Those many little plastic bags containing buttons remain long after the garment they came with has long since departed my wardrobe.

These buttons in bags have mostly gravitated to my button jar, but they do not have much to recommend aesthetically, in fact as a button jar mine was hardly a thing of beauty. Plastic has its place and I would not be without it, but it is not pleasing to the eye.

Taking as my guide William Morris, who said “Have nothing in your house which you do not know to be useful or believe to be beautiful” I want my button jar to be both useful and beautiful. I have ejected all the plastic and added the shirt buttons. It is only a small jar, and not very full but time will take care of that, grandma’s always have the most well stocked button collections and I have a few years to go yet before I will qualify, age wise. I wonder how many plaid shirt quilts I would have to make to fill the jar? But then if I use the buttons to tie the quilt I might end up buying buttons.

The shirt off his back

I have yet to follow one down the street with covetous intent, but you never know….

Have you ever seen a person wearing a garment whose fabric you would happily have in your stash? I must admit until recently I hadn’t, but since I have been gathering checked shirt fabrics for a future project I have found myself studying passing gentlemen, many of the most unprepossessing type, and wishing I could have the shirts off their backs, only for my stash you understand. It has become a running joke with my Dearest, as I find my eye captured and held by men of all ages, sizes and types each wearing loud checks of all colours and design. I have yet to follow one down the street with covetous intent, but you never know….

My passion for fabric outstrips my available fabric buying resources exponentially, so I am always on the lookout for ways of acquiring fabric for quilting with the least outlay of funds. Inspired by my love for recycling and by the plaid scrap quilts I have seen on Pinterest I began collecting checked shirts bought in charity shops. My local charity shop has been an almost weekly supplier of treasure, and each so far costing between £1 and £2.50.

I find that a man’s “small” shirt will render the largest piece from the back measuring 21” by 25” measuring under the armholes and from yoke to tail, which is equal to a fat quarter, the front a similar amount of fabric in two halves, and then the sleeves although an odd shape will render at least as much as a fat quarter between them or less if short sleeves, but if I calculate each shirt to represent half a yard of fabric I don’t think I will be disappointed.

short sleeves, still would render two 5" squares each — short sleeves, still would render two 5″ squares each

The smallest shirt I have bought for £1 (pictured) was age 11-12 and gave me a back measuring 18.5” by 22”, the biggest a 17.5” collar shirt from Boden which rendered a back measuring 31” by 30” but bizarrely was cut on the bias and looks like a table cloth, the sleeves were cut on the straight grain, so although large the shirt will similarly render only a half yard.
The inside of the Yoke is often cut on the bias which limits its use but two small squares could be cut from it for another scrap project, and the yoke will render squares or strings.

My rule in choosing which shirts to buy is that they must be 100% cotton, not seersucker, must be bright not muddy colours, and must be checked not striped. Mostly the shirts I buy are unworn or barely worn and that can be discerned by looking at the labels for wash fatigue and collar for signs of wear. So far I have made only two mistakes, poplin is too crackly, and does not iron well. To achieve a good mix of colour and pattern I will need perhaps 30 to 40 shirts, but that will give me 15-20 yards of fabric which should be enough for more than one quilt, one large and maybe a couple of lap quilts.

My observations on charity shop shirt buying so far are:-the louder the shirt the more likely that it will be unworn, perhaps it’s a case of loud shirts having a limited use, or that they generally fall into the unwanted gift, or “seemed like a good idea at the time” category, which languished at the back of the wardrobe for a couple of years and then got edited out to the charity shop. And…. children’s clothes, particularly summer wear in Britain, unless passed down from oldest to youngest, probably only has an 8 to 10 week window of wear, before its back to school uniform in September, so many summer shirts have hardly seen a washing machine more than half a dozen times before they are put away to have been outgrown by the following summer, so a future life in a quilt is a greener alternative to another 8 to 10 weeks life in a different boy’s wardrobe.

Just another brick in the wall

As I recognise all the fabrics in the quilt as a collection of “yours and mine” this must have been a joint effort for mum and me

This is one of the quilts I photographed last summer in my rainy garden, such a simple design which would work well with jelly rolls or scraps. I can’t remember the dimensions but it looks as if the Bricks are 2 ½ “ by 4 ½ “; it would work larger or smaller so long as the width was half the length in the finished brick. The white and coloured bricks are then put together round a central square of white.

I’m pretty sure this is one my mother made although I can see it was made of a pooled collection of scraps because some of them are from my stash. The block pattern was a block of the month challenge which I think I might have set for our quilting group. As I recognise all the fabrics in the quilt as a collection of “yours and mine” this must have been a joint effort for mum and me rather than of the group as a whole.
Much as I like this collection of earthy, spicy colours, they are not my colours and would not sit well in my home, which is why I guess it languishes at my mother’s house, unloved, unused. And yet I have just realised a use for it, My Dad may have to get used to being transported in a wheelchair at least over longer distances, as a retired Builder, what better than a “Brick” quilt to throw over his knees on colder days when out and about in his wheelchair.
I’m booked to take him to a hospital appointment next week, he’ll have to accept wheelchair transportation for the first time, now dare I introduce the quilt at the same time? Or should I let him get used to accepting the wheelchair first? One brick at a time I think.

Spring has finally sprung

was excited to see evidence of Spring bursting out all over. Thank the Lord.

Spring has finally sprung, and the first warm Saturday morning we have been blessed with I spent indoors helping to steward our quilt show.

The daffodils are finally blooming so late in April but it’s still a joy to see them at last, and the hedges are all about to burst into life.

My lap quilt was finished in time, thankfully, and was hung at the exhibition. I got some positive comments from visitors, but tried not to hang about near it, you don’t always want to hear what folks have to say.
There were some wonderful quilts on show, we are fortunate to have some very skilled needlewomen amongst our number and they produce the most covetable and imaginative designs.

I have many photographs, but cannot post them without the owner’s permission, so will make do with a photo of the group quilt made as the main raffle prize, there’s still time to buy a ticket if you can get to Bilsborrow Village hall before 3 pm on 21st April.

There’s even chance to buy fabric if you have been inspired to quilt. One of our members has her own quilting shop in Longridge, and is one of the traders at our Exhibition. She has an excellent range of fabrics, threads and quilting supplies; offers workshops, and a long arm quilting service.
See www.quiltersquarters.co.uk or follow on Facebook.

On returning home I took a turn round my back garden, and was excited to see evidence of Spring bursting out all over. Thank the Lord.

Stained Glass Window Quilt

Eek, no pattern, no instructions, just an image. So Mum set about it valiantly, scaling up the image then drawing it onto a backing layer, sourcing the fabrics, so many colours, so little time.

Here’s a quilt my mother made for her granddaughter to celebrate her 21st Birthday, Sally found the design in a book and brought it to Mum, “Grandma, I’d love this for my 21st Birthday, could you….?

Eek, no pattern, no instructions, just an image. So Mum set about it valiantly, scaling up the image then drawing it onto a backing layer, sourcing the fabrics, so many rainbow colours, so little time.

Each fabric piece was individually cut to fit the space on the backing where that colour belonged, and stitched to the backing along the very edge of the piece, so that the black bias binding used to “lead the windows” would cover the stitching. It was then quilted with images relevant to Sally’s life, the logo for her university, The University of Cumbria; a Dragon, because she was born in the Year of the Dragon; a set of Scales for a Libran; two Trefoils to represent the Guiding Movement; the logo of the University of Lancaster where she teaches swimming and a Gerbera to remind her of her Prom Night.There is also space for more quilted memories as they occur.

The quilt was displayed at the last Exhibition our quilt group had two years ago , the best photos of this quilt have my mother standing proudly in front of it, but she would KILL me if I published a picture her on my blog, so this one will have to do.
The Garstang Patchwork Quilters’ next exhibition is 19th to 21st April 2013, find us at Bilsborough Village Hall on the A6 north of Preston,Lancashire, UK. I’ll be there on Saturday morning, see you there.

Warm hands; Cold heart, or so the saying goes.

Some of the creams are evidently different from their neighbours, if one person had made all the blocks, all the creams would match

I do have warm hands, always, and so I make lousy pastry, the saying would have me cold hearted too. Blue hearts may look cold too but they make an easy to make, simple quilt.

The quilt belongs to my mother, I don’t actually remember it being made but I’m pretty sure it must be a block of the month challenge, each heart just a four patch; 3 blue squares and a cream one, set on point alternating with plain cream squares. Some of the creams are evidently different from their neighbours, if one person had made all the blocks, all the creams would match, or there would be a selection of creams carefully placed to balance across the quilt.
It’s such a simple rustic quilt , quilted and tied, no need for anything elaborate.

Let’s twist again like we did last Summer

it’s never a good idea to use bias cut fabric , bias cut edge to bias cut edge if you can avoid it, but if you cut same size squares on straight grain, and
join then alternately bias cut edge to straight grain edge, you can produce a string of coloured squares to use as a border,

These two quilts are another mother and daughter effort, the first is mine using my favourite bright colours, with black. The second is my mother’s, rich colours which tone beautifully together.

The block is known as Twister, it looks rather complicated, and whilst it does take some planning and a large workspace is helpful it is actually fairly simple to achieve.
First task is to cut out squares and put them together in a grid bearing in mind that each square will tessellate with its neighbouring squares in the finished article, so each square should be sufficiently different from its neighbour to give the definition you want.

Once you have a grid maybe 20 percent larger than the finished article you plan, you take your scissors to it cutting it up using a template guide. At first it may seem that there is a profligate waste of fabric as you do cut to waste. A large bias square is cut from the centre of each square, I set these aside to use in the border. As each new square is cut diagonally from the fabric with the intersection of the squares as the centre of the new squares you cut, you should then rotate the square 90 degrees and set it back next to its neighbour. You will find they begin to tessellate; now you see why you need to have a large workspace, because you need to set out the entire quilt top, each piece placed by its neighbour, to get the placing correct.

You will have a collection of little bias cut squares left over, now it’s never a good idea to use bias cut fabric , bias cut edge to bias cut edge if you can avoid it,because both edges will stretch. If you cut the same size squares on straight grain, and join them alternately bias cut edge to straight grain edge, you can produce a string of coloured squares to use as a border, it will still stretch a little if you are not careful, but at least there will be no waste. I cannot bear waste.

The first quilt I made in this pattern I can’t find a photo of, probably because it was photographed long before I discovered digital photography, in fact it may have been made before digital photography existed.( Do you know how old that makes me feel?) It was a cot quilt made for a friend at the birth of her daughter, and was in pretty pinks and blues and on a very small scale, hand quilted in circles.

Fibonacci: a lesson from the 12th Century

When I have a few hours to spare…. Some time in the next 5 years! I think I have the right two fabrics to make another one of these.

Here are two more quilts made from the inspiring work of Ricky Tims, not mine I’m afraid, these two were both made by my Mother.

The first probably made at the same time as my first and to the same instructions, I think we may have been lent a book or attended a workshop together.

The second, I’m sure was made in response to a Women’s Institute Challenge to use a particular challenge fabric inspired by Gustav Klimt. Or perhaps it was made from the left over fabric. The lime and copper fabrics look to be plains while the other two fabrics are patterned fabrics which have patterns taken from the paintings of Klimt, I particularly love the blue.

When I have a few hours to spare…. Some time in the next 5 years! I think I have the right two fabrics to make another one of these.

Every quilt deserves a label

If the label goes on before the quilt is put together and quilted through, then it’s difficult to remove, it can only be covered up by someone who might wish to change its history or attribution, ( I mean pass it off as their own) later to be happily rediscovered, when the stitching begins to come apart.

I have used a spare apple core for the quilt label, and my lovely Janome sewing machine supplied the pretty script to write the words, “Scrappy Apple Core Quilt” My name and the date. It’s really important to put a label on the back of every quilt you make and to put it on before you put the quilt together and quilt it. Why? Many reasons; posterity for one, if your quilt is treasured and survives for hundreds of years as some do, the owners will one day wonder who made it, when and why – so tell them.

Quilts are used to evidence the history of fabrics and fashions but only if they can be reliably dated. Let the historians be happy to have found a dateable treasure in your quilt.
If the label goes on before the quilt is put together and quilted through, then it’s difficult to remove, it can only be covered up by someone who might wish to change its history or attribution, ( I mean pass it off as their own) later to be happily rediscovered, when the stitching begins to come apart.
If the quilt is made specifically for a person or to celebrate an event in someone’s life, then put it on the quilt label, but be warned….. I once heard of a quilt that was made to celebrate a marriage, it took so long to make that the couple had divorced before it was completed.

The backing was a happy find in my stash, it’s what was left over from the backing of a much larger quilt, the left over piece was too wide but not long enough, however there was a long strip that I cut off the side of the previous quilt backing, so I managed to stitch on the strip and make a square big enough for the backing of this quilt. There’s a little bit over, perhaps it will back the cushion I might make to go with the quilt. And there’s even enough for the hanging sleeve, how lucky is that!