Tag: machine embroidery
Crazy Patchwork Cushion… continued…
Nearly two years ago, and before being thrown out of my studio to make room for a sixteen year old, I made a crazy patchwork cushion for a group challenge from 1980’s scraps some of which were Laura Ashley fabrics.
I wasn’t happy with the way it was finished but as with many of my projects I ran out of time and completed it in a rush in order to submit it to my quilt group’s annual challenge.
So the plan was to deconstruct it, well take the back off. I’d stitched it with a long stitch to make that easy. Put a zip in the back, instead of the envelope back that I’d had to do as a quick temporary fix.
Then I needed finish the white embroidery on the front, so that all the edges were finished in the same way.
Finally I top stitched round the edge, I do this a lot on cushions just to give definition to the edge and to make them fit the cushion pad better. I do like a plump cushion.
My cushion was made particularly to go to work with me to pretty up my office, but just as it was being made we were told we would soon be moving to a new “agile “ working environment where there would be 3 desks to 5 staff . The “personalisation of work spaces” would be frowned upon, or rather strictly forbidden. So my Crazy patchwork cushion will remain at home, and pretty up my new studio, on my Windsor chair with a view of the back garden.
The crazy patchwork cushion will also be submitted to my group’s biennial exhibition later this month, so that’s two items… see my next blog post for the third item.
This year’s challenge from my Quilt group, was Crazy, put simply anything made from crazy patchwork, fill your boots. My plan was to collect silk ties to cut up, and I did buy a few from my favourite charity shop, but I soon realised that I would need a lot of ties, to have enough variety of colours and patterns, so back to the stash.
I found a bag of scraps, (well three actually), sorted it into three piles, blue and white Laura Ashley scraps dating back to 1977, (of which more later), a pile of pastels some Laura Ashley of the same vintage and some from the 80’s, and a reject pile the colours of which would not meet the criteria for my piece, brown orange, cream etc.
I wanted to work on small pieces which could be joined together in a larger piece, and had seen a number of crazy patchwork studies created as large hexagons, all I needed was a large hexie pattern. So out came the cereal packet, compass and ruler, not difficult, simply draw a circle, divide into 6 equal parts (60 degrees), and draw a line from radius to radius, where the circle intersects, to create a hexagon. The size of the hexagon was determined by the size of the cereal packet.
Initially I followed the advice in my only Crazy patchwork book, (big mistake, but excellent lessons) I cut and laid the pieces on a backing fabric cut from cotton calico (lesson one backing layer too thick). I overlaid the pieces by a eighth of an inch and then stitched them down with a fine zig-zag stitch using transparent filament, (mistake two, this is nasty scratchy stuff and leaves a ridge of stitching which then causes drag when using machine embroidery stitching on top).
Running out of time (72 hours and counting) I realised using differing coloured threads to embroider the patches would take time I didn’t have and possibly require threads I didn’t have, so I decided I could pull the whole thing together and achieve balance by using one colour for the embroidery throughout, white.
As I picked the embroidery stitches to decorate my scraps I made my next mistake (number three), I didn’t try out every stitch on scrap before I began, and there’s no unpicking it afterwards! Had I tried them out first I could have adjusted the length and width of stitch to get the optimum look of the embroidery stitch. I would have also realised that the thread I was using would not work well with some of the more open, spidery stitches leaving a barely visible embroidery, a bold thread would have worked better (mistake number four).
Now comes the fiddly bit, piecing the hexagons by machine, stitching into acute corners requires some skill, the trick is not to stitch right to the edge , leave yourself a quarter inch of wiggle room, it doesn’t matter if you leave a little hole at the corner, you will be embroidering over it anyway.
It’s at this time I discovered mistake number five, for some reason I can’t fathom I had only made 6 hexagons, and of course I needed 7, with only 48 hrs to go I didn’t have time to fiddle about with my previous method so I cut another hexagon in calico, grabbed some spray tack, sprayed liberally, cut up some scraps and dabbed them on in a haphazard way, forgot the filament zig-zag and completed with white embroidery. No mistakes and it turned out the best of the 7 hexies. Finally mistake number six , I then decided to piece the edge to create a square, all the blue sashing is made of part hexagons cut to fit around the edge, and pieced in. It would have been so much easier and quicker to applique to a straight piece of sashing. I dread to think how many times I pieced and unpicked that border, and every time it was wonky.
Consequently I ran out of time to finish it properly, I should have put a zip into the back but I didn’t have one, nor time to buy one so I made an envelope back, which I don’t like and will replace, I stitched the final edge seam with a big stitch so I can unpick it easily, and the pieced sash edge has not been embroidered where it joins the crazy patches, so when I unpick it I’ll add more embroidery.
At least I managed to produce a “finished” piece of work to submit for the challenge, it didn’t win a prize. That’s ok ,I wouldn’t have quibbled with the judges decision and loved the crazy bag made by Anne Thistlethwaite which won. Well done Anne.
I have a dear friend who likes Owls, or “Wols” as she calls them, so when I came across this remnant of fabric being sold at my quilt group meeting I just had to buy it. I didn’t know what I would do with it but I knew I would come up with something. An Owl quilt, a lap quilt, a comforter, a virtual hug, that my friend could use whenever a hug was required and me not there to offer it.
The first challenge was to cut out each Owl with as much fabric as possible surrounding the centre medallion, cut each one with the Owl dead centre in the medallion, and each the same size. The background fabric was too random to give me any help so I devised my own template using a piece of clear plastic packaging. The circles were asymetrically placed so I needed two squares to fit them into, to “fudge ” a best fit with the centre of the medallion. The outer edge of the template I lined up by eye, given the background pattern was random I knew it wouldn’t cause me too much problem if it was slightly off the grain. In any case I don’t think it was printed entirely plumb with the straight grain of the fabric.
Next challenge, there were only 10 complete Owl medallions, and no way of buying more, I had to come up with a design which would make a lap quilt, at least a metre square, and quickly, I wanted to give it as a Christmas present and it was well into November when I began. While I was cutting out the medallions, I was reminded of an old nursery rhyme about a wise old Owl.
Happily its 8 lines long so I could alternate each of 8 Owl medallions with a line of the poem in a plain fabric, but what fabric? I went to the fabric shop thinking cream, and came home with blue, it often happens that way, when I get to see the fabrics together what I had in my mind’s eye just doesn’t work and so I always have plan B.
Challenge three, how to apply the lines of poetry to the fabric? My handwriting is not good enough. My hand embroidery is even less appealing, not to mention how long it would take me to hand embroider each one. I could have used machine embroidery but I wasn’t convinced my machine would do a good job either, and centring the text would be a nightmare. I did however have a plan. I’d read on Pinterest a number of articles about printing onto fabric using an ordinary household ink jet printer. All I needed was some freezer paper and an iron, how difficult could it be?
The plain fabric was cut slightly larger than the Owl medallions and the printing planned to be in the centre and then trimmed down to the right size leaving a little wiggle room all round in case the centring wasn’t accurate.